This week’s prompt was “camping”, and I used the oil brushes in Adobe Fresco to paint a camping scene using different layers. I don’t like to merge oil painting layers because some bizarre effects occur, so once the painting was done, I used the Creative Cloud app to export the image as a JPG. I then went back to Adobe Fresco and imported the JPG on a layer. I used a text layer to create the word “camping” then pixelated it so I could transform it taller. I made a duplicate of the text. With the painting layer above the pixelated layer, I used the mask button to fill the letters with the painting. Then I offset the duplicated black text layer to make the sharp shadow. And now I’m all caught up after a round of quarantine (my youngest, she stayed healthy), and Texas’ Winterpocolypse.
I was excited about the prompt “dragonfly”, because I love dragonflies. I may love them a little too much because the possibilities were immense and I was feeling overwhelmed. After a couple of sketches and a bit of time away on another craft, and I settled on this design. I drew a single dragonfly with the color on a separate layer, then duplicated it and changed the color just on one layer of each dragonfly. The word is done semi-opaque behind. Happy news, text layers can be converted to vector or pixel layers in Adobe Fresco, which means stretching a font is easy. Since I drew the dragonfly with a vector brush (basic round this time), I can reuse this asset in other projects! Hurray!
Sustained subfreezing temperatures, rolling blackouts, full blackouts, and frozen pipes are true monsters. These little guys are downright cute. I had fun using the end taper vector brush to create them in Adobe Fresco.
This week’s prompt is “remote”. I worked with masks in Adobe Fresco for this concept. I was so excited that masks are supported in the app! My concept is being remote from the crowds of cities and suburbia. So my city circle and ‘burbs circle are single hue, simple shapes, done with vector layers and masks. But the little tent out in the mountains uses vibrant color and I made use of the water color brushes in Fresco (and lots, and lots of layers). I did merge the layers before I applied the circle mask. Hmm. I didn’t incorporate the actual word in this week’s prompt. Maybe that is a challenge for another week.
This week’s prompt is “ancient”, I was thinking buildings or ruins, but my eldest suggested a tortoise. A good suggestion! I chose the Galapagos tortoise because they have a long life span and a wonderfully large shell (which makes putting words on it easier). I drew this with a reference photo using Adobe Fresco and an Apple Pen on an iPad. I used the vector brushes and worked from shadow to light using layers. I have to admit, this wasn’t pushing my envelope very much. I enjoy making images this way, but the experience was improved and streamlined using the pressure pen.
This week’s prompt was “reflection”. I decided to try out the oil painting brushes in Adobe Fresco to make a reflection in a lake. It has been a long time since I painted with real oil paints, so I’m not sure how to rate the digital brushes. To “dry” the paint I made a new layer so as to not mix into the previous layer’s wet paint (as a plus, the paint is always workable). I do miss my fan brush, but I did try to make some happy little trees. I absolutely used the magic of digital to make the reflection by flipping a duplicate of the image and decreasing the opacity of the layer.
This week’s prompt was “home”. My idea was to make the word from examples of human housing. This was created in Adobe Fresco using vector layers.
Inktober 52 is a weekly drawing prompt; in October they have a daily writing prompt, which I have participated in for a couple years. I found the Inktober 52 challenge while perusing drawings and decided to take it up in 2021. These are meant as ink drawings, but I now have an Apple Pencil and access to an iPad, and would like to hone my skills in Adobe Fresco, so I’m going to use the prompts, but do a digital drawing rather than ink. It is good practice either way.
Here is this week’s take on “fresh”. I wanted to do word art, and make the letters look like splashed water. I started with a “pencil” sketch, then used the basic taper start vector brush on a separate layer to lay in the colors. The image uses four shades of blue, which Fresco conveniently saved for me. Below is a lower resolution image with my watermark.
Continuous patterns are facinating. Not only can the single repeat be interesting, but the patterns that develop at different distances can mesmerize. I had an idea for a repeating pattern, and decided now was the time to start honing my skills. Although it can be fiddly work, it is very fulfilling when the pattern comes together. Here is the application of my first pattern, made with Adobe Illustrator.
And here is a zoomed in version of the pattern:
I used Adobe Photoshop to make my fan art for May the 4th. These are my Faverolle hens, and getting a picture of them is not too hard: I threw scratch out, then when they were eating, made an alarm sound, which made them all look up. Getting a clear image of baby Yoda is a trick. I had to rewatch Mandalorian (oh bummer) and find the right scene. Once I had the image, I fussed and adjusted, blurred and blended, messed with the hue and saturation, added some extra green, and added shadow. I still couldn’t bring the clarity to match my photo, so I ended up blurring my chicken photo around the child. Still, I think it looks like he is either ready to fight the chickens or defend them. I’m good with that, and it was a fun exercise to hone my Photoshop skills.